Official portrait of Rebeca Aldana wearing a huichol collar

Booking · Venues

Music that turns your table into stories worth singing

An acoustic set, careful in volume and light to set up, made to sit alongside the conversation and give each evening its own character.

In four languages

SpanishEnglishFrenchPortuguese (Brazil)

Rebeca sings in all four. The repertoire adapts to the audience that will be in the room.

Line-ups

From Duo to Big Band

Duo · voice and guitar2 on stage
Trio · saxophone or percussion joins3 on stage
Quartet4 on stage
Quintet5 on stage
Full orchestra · with two backing vocalists8 on stage
Big Band · with two backing vocalists14 on stage

Any of these line-ups is performed in one or two sets, by agreement.

The set is built for each event — which is why there is no published set list. It is proposed once we know the room, the hour and the audience.

Musical journey

The journey with Rebeca starts here

The full hall of the Teatro Armando Manzanero during Alma LatinoAmericana, seen from the balcony

March 2025 · Teatro Armando Manzanero, Mérida

«Alma LatinoAmericana» arrived in Mexico

The show was staged in Mexico for the first time at the Teatro Armando Manzanero in Mérida, with the Mérida Big Band and an international cast: Albita (Cuba), Sy Smith (United States), Rolando Luna (Cuba) and Pablo Ahmad (Argentina). It was Rebeca's first production in the country, and it filled the house.

848 in attendance·Seven countries on stage·Independently produced

Stage get-in at the Teatro Armando Manzanero before Alma LatinoAmericana

Get-in

Two or three people on stage, our own microphones and minimal audio requirements, a short soundcheck on the day. The same production that sets up a theatre scales down to a room that dines.

Technical requirements

Full orchestra: eight people on stage, a minimum stage of 8 × 6 m, a two-hour soundcheck on the day. A PA system proportionate to the venue. Microphones, backline and additional lighting provided by RBK Productions. Line-ups from Duo to quintet reduce stage size and get-in time proportionally.